First (Scots) Presbyterian Church
Charleston, SC

Opus 21 - 1992 - 4 manuals - 48 registers - 71 ranks

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Chancel view

After the destruction of the previous organ in 1989 during Hurricane Hugo, funds became available to construct a new organ of concert capability. Use of selected pipes salvaged from the previous organ, and superb pipework salvaged from the Steinmeyer-Estey organ of Eastminster Presbyterian in Columbia, SC, allowed a comprehensive and eclectic stoplist with a French flair. Major principal and reed choruses are new.

The pipes are in a shallow alcove behind three wrought-iron grilles symbolizing the cross and the thistle. Each grille weighs one ton, and is 95% acoustically transparent. Polished display pipes of the Great and Positif are carefully arranged behind the grilles in classic manner. During concerts, when the church lights are dimmed, the wash from the console spotlights illuminates the facade pipes, giving a dramatic visual effect.


Console viewThe very limited space in the choirloft precluded a traditional drawknob console without losing irreplaceable choir seating. The solution was a compact console using 25mm square, momentary contact luminous touch controls. Careful design, including a full-scale mockup, resulted in an ergonometric layout which puts all stop controls within the natural arc of the organist's arms.

The divisional stop groupings follow AGO placement recommendations, and are subdivided by horizontal row into tonal groups, making hand registration very simple and musically natural. A full range of pistons, with 32 memory levels and user-settable tutti and crescendo, gives further flexibility.

The case is constructed of Honduras mahogany, with stop jambs of polished bird's-eye maple. The keyboards have maple naturals and cocobolo sharps. The pulpit is removable, allowing the console on its castered platform to be fully visible for concert use, or to be rotated so the organist faces an orchestral or choral conductor.


Positif pipeworkThe straight stops of each manual division are placed upon electric slider windchests, allowing precise, simultaneous attack, fully-developed fundamental tone, and exceptional tuning stability. Borrowed or extended stops are on electric chests with integral expansion chambers, and the basses utilize electro-pneumatic actions. The very wide, shallow chamber space projects the sound directly into the auditorium, and allowed relatively low windpressures and natural, unforced voicing techniques on windpressures ranging from 68mm on the Positif through 250mm on the Solo Tuba.

The photo shows the Positif division, immediately behind the top of the center grille, with the 4' Prestant exposed at the front of the division.


Moving the console!Due to the dramatic increase in the size of all the choral groups at First Scots, the console was moved to the Gallery just before Christmas of 1996. There have been no ill effects due to the positioning of the pipes in the front of the building, and plans are being made to fund the planned-for Gallery organ.

Here is a very nervous photo of the console being lifted into its new position.

Church photo by Clifford Ledgerton; console photo by Margaret Ontko; Positif photo by John Popiel; other photos by Allan Ontko
Copyright © 1999 - Ontko Pipe Organs Inc., Charleston, SC


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